Over the years, some of the titles chosen for Eric’s albums have had an interesting story behind them. A few titles have had personal significance for him. For others, Eric came up with titles based on things that happened in the recording studio or based them on events in his life. Those with a story worth telling are:
DISRAELI GEARS (CREAM)
Originally, the working title was “Cream”. “Disraeli Gears” became the title when the band and crew were playing a word game and making up phrases like “Elephant Gerald” for Ella Fitzgerald. One of the crew changed “derauilleur gears” (used on racing bicycles) to “Disraeli Gears”. “Disraeli” refers to Benjamin Disraeli, who was Prime Minister of England during Queen Victoria’s reign.
461 OCEAN BOULEVARD (ERIC CLAPTON)
The address of the house in Golden Beach, Florida where Eric and his band lived during the recording of the record at Criteria Studios (now The Hit Factory - Criteria) in Miami. Eric never owned the property at 461 Ocean Boulevard! It was rented for him for several weeks during April and May 1974. The house has also had other famous temporary residents who used it while recording at Criteria. The Bee Gees (Barry, Robin and Maurice Gibb) rented it in late 1974 to record their “comeback” album, “Main Course” (released 1975). The Eagles lived there while recording “Hotel California”. Liza Minnelli and Barry Manilow also rented the property in the 70s. Since 1978, the five bedroom home has been a private residence.
THERE’S ONE IN EVERY CROWD (ERIC CLAPTON)
A contraction of the working title, “The Best Guitarist In The World - There’s One In Every Crowd”. Eric once commented: “[It was going to be called] ‘The Best Guitarist In The World - There’s One In Every Crowd’. They didn’t approve of that one either. I was the only one who thought it would be a good idea. In fact, I’m not sure whether I could have lived with it. Most people would have taken it the wrong way. They would have thought I was being serious. But I am! I am the best fucking guitarist in the world!!(Laughs)” [From Conversations With Eric Clapton, 1976]
NO REASON TO CRY (ERIC CLAPTON)
A misquote from “Innocent Times”, a song on the album. It was written by Marcy Levy. The song goes, “No reason to laugh, more reason to cry.”
BACKLESS (ERIC CLAPTON)
An obscure reference to Bob Dylan. Eric once said that Bob Dylan is very aware of everything that happens while he is on stage, almost as if he has eyes in the back of his head. Additionally, Bob would turn and face the band if he thought things were not going well during a performance. So, even though the band was behind Bob, it felt as if he was always facing them when they were onstage.
ANOTHER TICKET (ERIC CLAPTON)
A tongue-in-cheek jibe at one of Eric’s friends who was always asking him for “another ticket” to his concerts.
MONEY & CIGARETTES (ERIC CLAPTON)
Eric’s mid-80s reminder to take these two items when leaving the house. (He stopped smoking in the early 1990s).
BEHIND THE SUN (ERIC CLAPTON)
A quote from the song “Louisiana Blues” by Muddy Waters. The line goes, “I’m going to New Orleans, baby, behind the sun.” Eric also used the phrase “behind the sun” in his lyrics of the title track.
AUGUST (ERIC CLAPTON)
The working title was “One More Car, One More Rider”. However, Eric retitled it “August” to celebrate the birth of his son, Conor, in August 1986. The album was actually released in November. Eric resurected the discarded title for his 2001 live album.
24 NIGHTS (ERIC CLAPTON)
A reference to the record-breaking number of nights Eric performed at London’s Royal Albert Hall in February and March 1991. (Note: the album also includes performances from his 1990 18-night run.)
FROM THE CRADLE (ERIC CLAPTON)
A line from a poem that Eric wrote during the recording of the album: “All along this path I tread / My heart betrays my weary head / With nothing but my love to save / From the cradle to the grave.” Eric revealed: “It was one of those things, you wake up in the middle of the night and run downstairs to write it down. I didn’t know what it meant. And I thought, well, I would abbreviate it, the front “From The Cradle”, for the title. What it means, I think, is that this music I’m making here has been my motivation. It’s the thing I’ve turned to, the thing that has given me inspiration and relief, in all of the trials and tribulations of my life. I’ve always had this incredibly secure place to go?with that, with the blues. And this is the first testament to that, that I’ve ever made really, on my own. And it’s quite scary but in the same time, you know, it’s about time too. It’s long overdue.”
PILGRIM (ERIC CLAPTON)
The title of this 1998 album is a follow-up to the title of Eric’s previous studio album of all-new studio material, “Journeyman” (1989). Eric said at the time, “Well, it’s kind of - I suppose - there’s a track on the album called “Pilgrim” which came first. And when I came to title the album I used that track as a key point to go from, because I thought it was a good way of actually following the thread from “Journeyman” which was the same kind of meaning, really. Just looking at my life as a musician and a lot of other respects. It is autobiographical. And I see myself as kind of being like a lone guy on a quest.” [From Larry King Live / CNN, February 1998]
REPTILE (ERIC CLAPTON)
Eric wrote in the CD booklet: Where I come from, the word “reptile” is a term of endearment, used in much the same way as “toe rag” or “moosh.” It is used sparingly and with greatest respect, it’s not an insult, it’s a sign of recognition… In my recollection the first person ever to use the word in reference to me was Charlie Cumberland: “Here comes the reptile that plays the banjo.” And coming from Charlie, that was indeed a compliment, for Charlie is, himself, a very fine example of a “reptile”…
ONE MORE CAR, ONE MORE RIDER (ERIC CLAPTON)
Eric’s live album from his 2001 World Tour used the original working title from his 1986 studio recording, “August”. In interviews to promote the CD in 2001, Eric said, “[One More Car, One More Rider] harks back to my youth when I just loved fun fairs. Actually, I still do love fun fairs. But we had one in the town where I come from, which used to visit twice, sometimes three times a year. In the summer, we’d always go. The fair was owned by a family called the Bensons and the mum ran the bumper cars. At the end of the evening, the rides would get shorter and shorter and shorter and she would say through this really scratchy microphone, ‘One more car, one more ride. One more car, one more ride.’ Because I think this will probably be my last album, my last live album, anyway, it made me realize it’s like the end of the evening, in a way, I’m saying, ‘one more car, one more ride.’ It’s the last go-round, you see.”
